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Columns

Vintage Fabrics
  November 20 - A Celebration of Joan Kiplinger 1933 - 2009
  February 20 - Is There a Silver Moon in Your Quilt?
  January 20 - Part III: Any Powder Puffs or DayLee in Your Quilts?
  December 20 - PART II: Any E&W Prints in Your Quilt?
  November 20 - PART I: Any Rondo Prints in Your Quilt?
  May 20 - Wrights - Memories of an American Institution
  May 20 - Underground Railroad Quilt Code
  October 20 - Up Close and Personal with Vintage Aprons
  November 20 - Colorful Vintage Tablecloths and Towels
  September 20 - The Legacy of Warren Featherbone
  May 20 - Some Costumes for Elderly Ladies
  March 20 - And That's a Wrap - Oh to be in my ki-moni-yo
  February 20 - Life Was a Breeze with Fans
  January 20 - Please Don't Ridicule My Reticule!
  April 20 - More Mill Connections
  February 20 - One Woman's Failed Struggle to Quit the Fabric Habit
  January 20 - The Indian Head Connection 3
  October 20 - The Indian Head Connection 2
  September 20 - The Indian Head Connection 1
  August 20 - Recycling Vintage Fabrics
  July 20 - Sanforized: Fabric's Best Friend
  June 20 - History of the Printed Tablecloth
  May 20 - Decorative Relief Carving in Wooden Spools
  April 20 - Vintage Hankies - More Than Sneeze Catchers
  March 20 - Indian Head Remembered - Revisiting An American Institution
  February 20 - Doll Couture Vintage Style
  January 20 - Meet the Azlons from A to Z: Regenerated & Rejuvenated
  December 20 - Osnaburg the Great Part 2 Home Beautiful with Cretonne, Chintz, Barkcloth & Crash
  November 20 - Osnaburg the Great Part I -- Feedsacks on Our Backs
  October 20 - WWII Fashions Part 2 --All Dolled up
  September 20 - Cotton Dyeing in the 18th & 19th Century
  August 20 - Hooked on Buttons
  July 20 - Pillow Talk
  June 20 - WWII Fashions
  May 20 - A Going-Away Dress
  April 20 - Harriet Quimby
  January 20 - Capes
  December 20 - Umbrellas
  November 20 - Weaveprints
  October 20 - Grenadine
  September 20 - Bias Tape
  August 20 - Dolls
  July 20 - Thread Chart
  June 20 - Vintage Costuming
  April 20 - Building A Textile Reference Library
  March 20 - Profile of Collector
  February 20 - Feedbags
  January 20 - Cambric
  December 20 - Gizmos
  November 20 - Trims
  October 20 - Stores 1920-59
  September 20 - 1880-1919
  August 20 - Sweatshops
  July 20 - Label Scandal
  June 20 - Bias Tape
  Extra: Bias Tape Chart
  May 20 - Miracle Fibers
  April 20, 2000
  March 20, 2000
  February 20, 2000
  January 20, 2000
  December 20, 1999

 

 

fabrics.net

Vintage Fabrics  - IN SEARCH OF WARP ENDS
By Joan Kiplinger
Join Joan's Vintage Fabric Discussion List!


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November 2009

A Celebration of Joan Kiplinger 1933 - 2009.

The Evolution of our Vintage Fabric Expert.

Joan Carol Reed Kiplinger was a 1955 graduate of Kent State University with a Bachelor of Arts degree in journalism and history. She first worked in corporate communications with Blue Cross of Northeast Ohio then was the office manager for the Lake County Soil and Water Conservation District, retiring in 1998.

But above all, Joan loved fabrics and research. As her own bio states on her Vintage Fabric column, "Joan Kiplinger is an antique doll costumer and vintage fabric addict who learned to sew on her grandmother's treadle and has been peddling fabrications ever since."

She was a collector and professional costumer of antique dolls and helped develop a national doll newsletter, NOMAD, by mail for persons who had no access to local doll guide.

Joan first contacted our Ask Andy columnist, Andy Weinstock, in September of 1999 with the following question:
Is there a fabric reference book available which describes all or most of the following: names of and dates when various fabrics appeared; which fabrics are no longer being made and what would they have most closely resembled to today's fabrics; what fabrics are known by a different name today; charts of the various fabric family trees-- i.e. muslin is the parent of voile, batiste, lawn, organdy, nainsnook; a list of trademarks and did they denote a single fabric or a collection of fabrics--i.e., quadriga cloth, cloth of gold, Indian Head, Trevira; which fabrics dominated each decade; illustrations of various fabric weaves.

I have a small collection of fabric books which don't begin to answer these questions and have searched the internet without success. Perhaps a college textbook(s) may furnish the answers. Would appreciate any help you can give me.

Joan
Andy's reply:
Dear Joan: I don't have a lot of experience with books. I will call some of my friends in the fabric business that are more into books than I to see if they can recommend something to me. When I'm at the fabric show in New York in October, there is a magazine/book seller that always exhibits there. Will show him your request. If what you are looking for doesn't exist, you might want to think about writing the book yourself. Will keep you advised.

Andy
Judith's answer on Fabrics.net:
Hi Joan, There are several books that I would recommend; one in particular is "Fairchild's Dictionary of Textiles". However, the type of book that you are looking for in a "fabric tree", I haven't seen. Would be nice! The Fairchild's book does go into dates, etc. Like Andy said, maybe you could use several textile books and make one of your own. My college textbooks didn't cover all that you were asking. I am looking forward to hearing Andy's answer after the textile show.

Judith
With all of Joan's interest and with questions equalling that interest (as was Joan's style), Judith asked her if she would be interested in writing a column for Fabrics.net. She said yes and submitted her first column in December of 1999. She named her column "In Search of Warp Ends". http://www.fabrics.net/joan1299.asp

After writing several columns, Joan started an email discussion group on www.Quiltropolis.com "Vintage Fabrics".

As Joan's knowledge grew, she wrote a book with Judith and Jessie of Fabrics.net entitled "Vintage Fabrics - Identification & Value Guide". Because Collector Books lists the authors' names alphabetically, Joan's name wasn't the first author listed. But make no mistake, Joan Kiplinger was the heart and soul of the book; Judith and Jessie were contributors.

Joan loved mysteries and jumped into researching vintage textiles with enthusiasm and purpose. When Joan became ill, she had been working on an unpublished book on Indian Head fabrics. Part of her research on this book can be seen at http://www.fabrics.net/joan403.asp

We have received many messages from her friends, below are just a few:

She is unique....not only for her great knowledge in her field, but her wonderful outlook on the world and all that's in it. Her beloved family, her huge circle of friends and followers, and the academia of textile history, will never forget her contributions.....material, emotional, educational and the personal way she dealt with us all. Dori, New York, USA

This is such sad news. I have always stood in awe of Joan's knowledge of fabrics and her generosity in sharing with us on this list. Prayers are winging from Australia to Joan and her family. Janet, Melbourne, Australia

Joan-
I met you only a year ago, but already knew of you and how much you have contributed to our knowledge of fabrics and the myriad of details regarding textiles that you share with everyone. I remember helping you set up your workshop in the room that had lost its power, as everywhere in the hotel had! You were so well organized and had so much to present to the class! I was glad when the power returned just as you were ready to go on with only the light from an opened door to the outside. My husband remembers visiting with you as he was enjoying a Scotch at the hotel bar. Since that meeting, I have learned how energetic you have been, how loving you are to your family, how great a shopper you are, and how you love your flowers. Your photos of your garden with its bright colors always provides a lift to my day. It's fun comparing your royalty with my nobility. Have to admit that in your genealogy, you are much closer to royalty than I am to nobility. Your generous nature gave me some special fabrics and, yes, I am now ready to "dress" the "paper" dolls and appliqué them onto the quillows. I will tell my granddaughters that the dolls are a gift from a very special lady. With love to the Prinicipessa from the Contessa. Carol, California, USA

She is a great intelligent, funny and loving person. Her legacy in her beloved great grand and grand daughters plus all she left to the work of fabrics, etc. will live on for a very long time. Judi, California, USA

I did not know of your more recent fight against cancer sooner. I just want to say THANK YOU for being my online friend and for helping me get my spool carvings out to the world! Thank you, too, for keeping us in "stitches" in the GREAT BLANKET on Earth. Your words gave me giggles as well as good thoughts. BJ, Spool carver

Dear Joan, I had the great honor of taking your class in Columbus last year. I had your book and had been reading your website for years but it was so wonderful to actually listen to you first hand. Your class was the most inspiring and my favorite at the conference. I started a vintage fabric notebook after your class and am ready for a second binder. There is something about you that immediately captured my heart. Kindness is just a part of your manner and you really put me at ease. Thank you for your gentleness and enthusiasm and for taking the time to explain parachute fabric to someone as green as me. Michele, Pennsylvania, USA

I remember the first time I met Joan Kiplinger.
We had developed a friendship over the internet and we thought it would be great to get together and talk fabric. She would stay at my itty bitty store/home and we would visit people and places and fondle fabrics. I would meet her at the bus drop-off and after a week I'd take her to the bus station to go home.
I waited as the bus pulled up, wondering about this highly intelligent and enthusiastic powerhouse who was coming to visit. Would she like my meager collection of antique fabric and lace? Would she be ok with my crowded and minimal living space?
The bus door opened and out stepped this petite, gray-haired sprite with twinkling eyes and contagious grin! Surprised the heck out of me. And she DID like my antique fabrics and lace and tools. And she WAS ok with sleeping on a cot in the kitchen/library. And she didn't mind riding for hours in my pickup truck. And we had great fun.
We visited my fabric jobber, a quilt show in a museum (and got to see pieces that were published in "Rural Pennsylvania Clothing") and several list members in southeast PA. We visited Old Mill Village in northeast PA and identified fabrics and fashions.
We've shared our passion and swatches and information..our ideas and plans. I was supposed to visit her for a week the next year but something always came up..an unexpected expense, a bad year at Pennsic, something or other. We were going to visit Kent State and collections and libraries. I've always been surprised and humbled to be considered a professional in my own right, concentrating on medieval textile study. I'll tell you, I wouldn't have done quite so much if I hadn't known how much Joan was doing. Thank you again, Joan, for checking out that article I wrote! And knowing that even as a 'vintage textile expert' she stays current with modern textile production made me realize that I need to stay current too so I can relate modern with 'ancient' and help explain it all to my students.
Joan, you have made a big impact on me. And someday I WILL make it to that library. Love ya.
Linda in NEPA






The arbitrary cut-off date for this Vintage Fabric column is 1960. To stay within the scope of this timeframe, reference materials published up to that date are the prime source of information to more accurately capture actual thoughts of the time.

If you are interested in vintage fabrics and textile production, email Joan@fabrics.net . Your topic or query could be of interest to collectors and professionals whose hobbies or research require knowledge and use of old fabrics and their contemporary counterparts.

Joan Kiplinger is an antique doll costumer and vintage fabric addict who learned to sew on her grandmother's treadle and has been peddling fabrications ever since.


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